Higgins Armory Sword Guild

Lonnergan Smallsword Sequence (1771)

This sequence is based primarily on A. Lonnergan's smallsword manual, The Fencer's Guide, which was published in London in 1771. It is typical of late 18th century smallsword play, which was practiced both for use in earnest and as a sport.

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Slow motion video clip of the smallsword sequence
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[Black (on the left) and Red (on the right) face each other in their guards.]

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Red thrusts in Quarte-over-the-arm with a lunge.

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Black parries in Tierce.

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Black thrusts in Segonde with a lunge.

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Red parries in Sixieme.

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Red thrusts in Quarte with a lunge.

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Black parries in Prime.

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Red brings his left foot forward and feints in Segonde; Black moves to parry in Segonde.

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Red lifts his sword over Black's.

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Red thrusts in Cavè.

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Black parries in Quarte.

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Black thrusts in Quarte with a lunge.

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Red parries in Quarte.

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Red wraps his left arm around Black's blade.

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Red passes forward on his left foot and seizes Black's guard with his left hand.

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Red passes back on his left foot and pulls Black's sword from his hand, while threatening Black in Cavé.

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In Lonnergan's manual this sequence reads as follows:

Section X and Lesson VI, pp. 135-138.
p. 136:
Attack in Quarte; thrust Quarte-over-the-arm; if I parry with a Tierce and dart a Segonde at you, you must parry with a Sixieme and plant a Quarte. If I come to a Prime, close your left foot, and pursue me with a Feint of a Segonde, and plant a Cavè, and spring back with a wrench, from a Prime into a Tierce and Half-Circle.

Attack in Quarte. If I parry and advance at the same time, advance the left foot and disarm me, as directed in Sect. XXXV, of the First Part.

Section XXXV, pp. 92-93.
Of Disarming, by locking your Adversary's Sword.
Though these methods of Disarming, and Passing, Volting, and that of the Night Thrust, seem to be almost abolished by the refiners of these arts; I cannot conceive why a man, who is naturally strong and active, should not avail himself of such advantages, especially when improved by our athletic exercises, so engaging to an English subject, and forbidding to all others. Therefore, I shall here add one part of them, in the practice of these disarmings, &c.

We are both on Guard in Quarte; I thrust a Quarte-over-the-arm at you; and thus stand upon my Longe, that you may gradually learn to disarm me; before you can be quick in so doing, mind that you parry with a Tierce, and oppose shell to shell; smartly bring up your left foot behind my right heel; and in the same time pass your left hand quickly to your elbow, under your own wrist, and over mine; then twine your arm quickly round mine, and let your hand seize me on the outside of my wrist or arm: thus seized, my sword is held locked over your wrist, and under the upper joint of your arm; you at the same time find your own sword at liberty, by winding it backward round your hand; whence it comes pointed in Cavè against my breast. If I make any resistance, you are ready to trip up my heels, by striking away my right foot, and bringing me entirely to your mercy, which you should extend upon such an advantage, though filled with fury and implacable resentment before.

N.B. All this must be performed in one motion only; you may thus Disarm upon Quarte, Quarte-over-the-arm, or Segonde, as well as on Tierce; as this is the best, I have set it in the first place.

A. Lonnergan. The Fencer's Guide. London: 1771.

In the sequence, the well-known disarm from Angelo has been substituted for the more complicated one that Lonnergan describes, though Lonnergan's variation in Quarte is similar to that of Angelo's used in the images above.